14:57

The Portkeys HS8 Has A Feature Should Be Industry Standard

05:30

Anything but a Softbox

09:16

3 Ways To Use The Hollyland Pyro S (and other wireless video systems)

16:35

Photographer Roasts My Video Gear (What's in my camera bag?)

06:06

The Most Useful FX30 Custom Buttons to Change

09:12

The V-Mount Plate To Level Up Your Camera Rig | Kondor Blue V Mount Pro

11:33

Tilta Nucleus Nano II and the Problems it Solves

09:39

Hating on the a7IV in 2024 (Except I Actually Like the Camera)

07:37

Nisi Athena 40mm First Impressions - My New Favourite Focal Length?

07:45

The Hidden Benefits of V-Mount Batteries

26:52

My Compact Sony a7IV Camera Rig (Full Breakdown)

24:52

A Tour of My Sony FX30 Camera Rig (Full Build)

09:44

When Lenses have “Character”

10:30

5" vs 7" Camera Monitors: Bigger Is Better... Except When It Isn't

11:17

Shooting A Short Film On A Single Prime Lens

07:37

Lessons From My First Film Set (As a 1st AC)

01:58

The Trap - 1 Lens Film | NiSi Athena 50mm, Sony a7IV

13:56

These Cinema Lenses Are Taking Over | Nisi Athena 50mm Review

10:47

Mist Filters: Why does everyone love them so much?

04:38

The Hidden Benefits of New Camera Gear

12:42

3 Versatile Run-and-Gun Sony FX30 Rigs For All Types of Shooting

08:09

The EASIEST way to Colour Grade S-Log3 in Davinci Resolve

19:58

Camera Monitors - An Essential Piece Of Your Video Kit

07:24

Sony 85mm 1.8: Great Lens For The Money, But I’m Selling It

09:28

How NOT To Expose S-Log3 - And 2 Better Ways To Do It

09:05

This Filter System Lives On My Camera | Nisi Swift VND Mist Kit

11:02

Expensive Camera Gear That’s Worth The Money

07:22

Shooting on the Shadow Side - Why? How? and When not to?

04:09

THIS Is The Next Big Thing For Cameras

03:48

Zoom Lenses Kill Your Creativity... Except When They Don't

04:26

The Best Focal Length For Youtube | Does It Exist?

02:10

Why Does It Seem Like Every Creator Has This Sony Lens?

11:41

Sony a7IV vs Sony FX30 for Video | Full Frame Sensor or Better Features?

04:48

My Most Impactful Camera Gear In 2023

08:02

6 Ways To Light A Talking Head

09:25

Amaran 300C Unboxing | Quite the Upgrade

09:42

Camera Gear I Regret Buying (or at least don't use as much as expected)

14:41

6 Months With The Sony FX30: The Good, The Bad and The Neutral

05:27

The Truth About Sensor Size and Focal Length

06:15

Lighting Interviews and YouTube Videos | A Cinematography Breakdown

04:23

The Future Of Camera Tech Is Coming... And It Looks Good

15:04

Rode Wireless Pro Review | Maybe not truly PRO, but still a great product

12:52

Flashback One35 | Interview with the Co-founder and Unboxing the camera for the small moments

11:31

Get Cinematic Lighting With A Tube Light | Aputure MT Pro

08:14

This didn't go as planned: Shooting a spec commercial

12:45

Why You NEED a Video Tripod | Smallrig Freeblazer

11:55

An *Actual* Studio Tour This Time (because I actually have a studio now)

10:42

Custom Buttons on the Sony FX30 are Different - Here's how I have mine set

11:37

PMVND But Make It A Mattebox | Polar Pro x Peter McKinnon Recon VND and Mattebox

10:08

Gimbals Are Overused - Why I Prefer Handheld Camera Rigs

26:54

DaVinci Resolve Speed Editor Review and Tutorial | Can It Replace Your Mouse & Keyboard For Editing?

18:10

Cine EI and SLOG3 On The Sony FX30 | What it is and how to use it

08:14

Hybrid vs Cinema Cameras | And Is The Sony FX30 Really A Cinema Camera?

20:55

My Do-It-All Sony FX30 Rig

08:55

A Tour of my Youtube "Studio" and my new A-roll setup

11:05

Why Everyone Has A 24-70mm Lens (and why I got one) | Sigma 24-70mm 2.8 Art Lens

08:34

Moza Aircross S vs Air 2 | Travel Size or Heavy Duty Gimbal?

07:08

Full Frame Lenses on APS-C Cameras, It Works...Better?

11:28

Sony A7IV Long Term Review | The Best Hybrid Camera On The Market

10:10

5 Lessons I Learned About Event Photography and Videography From 1 Shoot