37:53
Kevinās Still Life -413
52:42
Trial and Error? -412
34:24
Color Components -411
16:48
Precept and Practice -410
41:42
Color First, Then Values? -409
48:57
Values -408
46:35
Gammell and Gerome -407
35:26
The Books on My Shelf -406
41:00
Working With Values -405
24:37
Prioritizing the Big impression -404
38:23
Visual Order Critique -403
18:44
Discovering and Expressing Beauty -402
14:51
One Eye or Two Eyes -401
55:47
Paul and Shawn talk about Chess -400
29:18
The Line of Shadow -399
16:33
Placing the Composition -398
24:54
Ruskin and the Outline -397
28:58
āA Scale of One Colorā -396
42:27
Always Composing -395
32:34
The āFloating Lineā -394
01:00:25
Paul and Tom Reminisce About Gammell -393
25:33
Content, Subject, Expression, and Method -392
25:48
Rules of Composition -391
40:55
Paxton and Modern Realism -390
33:17
Wiggle Room -389
33:03
Art Student Questions: A Chat with Kevin -388
01:14:32
Another Chat with Tom Dunlay -387
36:35
Line and Mass -386
55:52
Falling Asleep at the Switch -385
17:43
Color Adjustment -384
21:49
Multiple Ideas in a Painting -383
33:59
Flatness Revisited -382
36:45
Meaning, Mood, Means -381
51:17
Joy in Painting -380
32:59
Copying Revisited -378
39:06
Your Painting Career -377
39:27
Painting Reproductions -376
28:55
"Unfolding" -375
35:06
Boston School in Different Media -374
23:39
Questions About Method -373
34:55
Dynamic Symmetry?? -372
27:41
Backstragglers & Benchmarks -371
25:20
Nature and Beauty -370
49:32
The Pursuit of Painting -369
19:45
Evanās Composition Crit -368
32:18
Degas and Ingres -367
44:19
En Plein Air -366
27:28
Creative Imagination -364
48:40
The Search for Best Practices- 363
43:53
Whistler and Degas -362
01:05:59
Thoughts on Photography -361
25:13
Quotes on Art and Painting -360
22:10
A Painterās Wider Education -359
31:53
Murals and the Boston School -358
10:02
Some Favorite Drawings -357
45:37
Some Favorite Paintings -356
53:57
Contour, Line and Mass -355
28:41
Revisiting Sight-Size -354
34:20
The Influence of Velasquez -353
47:31
Wet-into-Wet Edges -352
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