17:21

ANNA BELL: AFFECTIVE REPUTATION, INTERMEDIAL REMEMBRANCE: FASSBINDER REENACTMENT IN PETER VON KANT

23:06

ZOLTÁN KÖRÖSVÖLGYI: THROUGH THE SCREEN DARKLY? ENCHANTMENT IN DIGITAL ART

22:07

DENIS BROTTO: THE INVENTION OF LANDSCAPE...FROM ENCHANTED MOUNTAINS TO ANTHROPOCENE

21:18

BELÉN CEREZO: AFFECTIVE INTERMEDIALITY IN THE MOVING-IMAGE INSTALLATION VIVIENDO EL DÍA

13:24

AFFECTIVE INTERMEDIALITY CONFERENCE. SHORT INTERVIEW WITH THE PARTICIPANTS

19:16

MYKYTA ISAGULOV: NEOPHOBIA: ON COLLECTIVE MEMORY, AFFECTIVE INTERMEDIALITY, FEAR, AND MODERNISM

22:06

IZABELLA FÜZI: AFFECTIVITY AND REFLEXIVITY IN HUNGARIAN KINEMA-SKETCHES OF THE 1910S

21:42

MARTHA KICSINY: BRIDGING TIME AND MEDIA – ENTANGLED IMAGES IN GÁBOR BÓDY’S NARCISSUS AND PSYCHE

14:14

PAUL HOLMES: INTERMEDIALITY IN VIDEO ART PRACTICE

23:35

ALICE JEDLIČKOVÁ: MULTIMODAL STORYTELLING IN POST-AUTONOMOUS FICTION: AFFECTIVE VISUALITY

15:35

CHIARA TOGNOLOTTI: PERFORMING AFFECTIONS. ISABELLE HUPPERT IN CLAUDE CHABROL’S MADAME BOVARY (1991)

19:53

ANDREA THOMA: INTERMEDIA INSTALLATIONS AS SPATIO-TEMPORAL FACILITATORS OF AFFECT

19:43

ROY HANNEY: THE CITY AS ESCAPE ROOM: PLACE, PARTICIPATION, MEANING, AFFECT

18:01

VERA KÉRCHY: THE STAKES OF DECONSTRUCTIVE PERFORMATIVITY IN RUBEN ÖSTLUND’S FILMS

23:40

SHARHZAD GHOBADLOU: EMBODYING THE BATTLEFIELD. LIMINALITY IN SHIRIN NESHAT’S THE FURY (2023)

21:19

ANNA KLISHEVICH: CINEMATIC EKPHRASIS IN JONATHAN COE’S FICTION: THE CASE OF LOST FILMS

01:11:17

JØRGEN BRUHN: INTERMEDIAL AFFECTIVITIES: STEPS TOWARDS A MEDIAL NON-ANTHROPOCENTRISM

22:08

LAURA MULVEY ON BECOMING INVOLVED IN FILM STUDIES AND FILMMAKING

27:03

LAURA MULVEY: AFTERTHOUGHTS ON THE "PICTURESQUE" CONFERENCE

21:49

ÁGNES KAROLINA BAKK: THE PICTURESQUE AND SENSORIAL ELEMENTS OF ANALOGUE AND DIGITAL SPACES

27:53

SUSAN FELLEMAN: THE IMPRESSIONIST PICTURESQUE IN AGNÈS VARDA’S LE BONHEUR

23:07

FABIO PEZZETTI TONION: EPIPHANY OF THE IMPOSSIBILITY OF THE REAL IN LARS VON TRIER’S FILMS

25:04

IRINA MELNIKOVA: FRAMING SYNAESTHETIC PLEASURES IN/OF FILM: LUCA GUADAGNINO’S CASE

18:32

AMINA ALLY: FEMININITY AND NATURE: THE HUMAN GAZE IN THE ANTHROPOCENE

28:10

ANCA SPRENGER: CROWS, SEAGULLS, AND DOGS! NATURE SOUNDS AS A FOIL FOR THE SUBURBAN LANDSCAPE

26:20

ANDREA PÓCSIK: GENDERING AND DECOLONIZING ARCHIVAL FOOTAGES IN THE WORKS OF PÉTER FORGÁCS

20:37

BALCA ARDA: CONTEMPLATIVE COMMUNICATION OF THE PICTURESQUE PROFILE STORIES IN SOCIAL MEDIA

24:02

BEJA MARGITHÁZI: ECOLOGICAL TRAUMA THROUGH THE POSTHUMAN PICTURESQUE IN CHERNOBYL DOCUMENTARIES

27:22

MELINDA BLOS-JÁNI: FROM LANDSCAPE TO POSTHUMAN SETTING. DOCUMENTARIES ABOUT THE DANUBE DELTA

21:55

DANILO BARAÚNA: CAMP AESTHETICS AS QUEER ORIENTATION IN THE ART OF RACHEL MCLEAN AND PIPILOTTI RIST

14:22

DELIA ENYEDI: VOICELESS SCREAMS IN HORROR SILENT CINEMA

30:03

DESMOND WEE: REPRESENTING TOURIST IMAGINARIES OF HALLSTATT

22:01

EMILIE KATRINE SUNDE: AI AND THE PICTURESQUE: ADDING NEW DIMENSIONS TO VISUAL PLEASURES

22:48

GYÖRGY FOGARASI: THE PICTURESQUE: AESTHETICS, TECHNOLOGY, ECONOMY

19:55

HAJNAL KIRÁLY: “GUILTY LANDSCAPES” – THE PICTURESQUE IN CONTEMPORARY (PSEUDO) NOIRS

20:37

IOANNIS PARASKEVOPOULOS: IMAGES IN SUSPENSION: KLOSSOWSKI, RUIZ AND THE TABLEAUX VIVANTS

23:15

LÁSZLÓ TARNAY: ON THE CONCEPTUAL STRUCTURE OF THE PICTURESQUE

25:11

IVO BLOM: ITALIAN EARLY NON-FICTION WITHIN MODERN AESTHETIC VISIONS

21:50

JUDIT PIELDNER: ANAMORPHIC PERSPECTIVE IN ANDRÁS JELES’S SINISTER SHADOW

15:33

KRISTIAN DOKIC: WHY AND HOW TO MEASURE VISUAL ACTIVITY OF DIGITAL VIDEO CONTENT

17:55

MIHÁLY LAKATOS: JEAN-MICHEL BASQUIAT: FROM STREETS TO GALLERIES, FROM GALLERIES TO SCREENS

21:41

LORA MARKOVA: PICTURESQUE INTERMEDIAL TEXTURES IN THE DOCUFICTION FEMALE HUMAN ANIMAL (2018)

27:33

LUCA MAZZEI: NATIONALISM, THE PICTURESQUE, AND ITALIAN NON-FICTION, 1909-1913

21:57

MARIA MÄNNIG: THE TABLEAU VIVANT — MEDIUM OF MIMETIC DESIRE AND THE DIGITAL SPHERE

20:19

MATTHEW SCHLESINGER: LA RICOTTA. PASOLINI AND THE POLITICS OF THE PICTURESQUE

25:12

MELTEM CEMILOGLU: WOMEN IN TURKISH CINEMA FROM A FEMINIST PERSPECTIVE: DUST CLOTH

26:58

MIRCEA VALERIU DEACA: CIRCULAR CAUSALITY OF EMOTIONS IN MOVING PICTURES

25:12

MÓNICA BARRIENTOS-BUENO: THE TABLEAU VIVANT IN EL MINISTERIO DEL TIEMPO TV SERIES

27:30

MÓNIKA PERENYEI: CREATIVE ACT: THE REINTERPRETATION OF VELAZQUEZ’S LAS MENINAS IN CINEMATIC CONTEXT

18:18

PÉTER LICHTER: ATTRACTION AND THE “CINEMA OF THE SECOND GAZE” IN STEPHEN BROOMER’S TONDAL’S VISION

25:05

RUXANDRA KYRIAZOPOULOS-BERINDE: IMMERSING INTO LANDSCAPES: TWO DIRECTORS AND A PICTURESQUE ISLAND

16:47

SILA BERRUTI: THE ROLE OF CINEMA AND PICTURES IN TEACHING WAR

14:50

SIN YIN CHOI: FROM SELF-PORTRAIT TO PERSONAL DOCUMENTARY: A MEDIA-ARCHAEOLOGICAL STUDY

24:13

BRIGITTE PEUCKER: "IN THE PICTURE": IMMERSION AS INTERMEDIAL STRATEGY

19:29

VICTORIA DOS SANTOS: CYBORG AESTHETIC: THE DISRUPTIONS OF THE PICTURESQUE IN THE DIGITAL SPACES

22:42

PAUL FRY: IS THERE AN UN-PICTURESQUE?

01:17:22

STEVEN JACOBS: SCREENING LANDSCAPES: FILM BETWEEN THE PICTURESQUE AND THE PAINTERLY

01:24:18

LAURA MULVEY: MARK LEWIS’S REAR PROJECTION: MOLLY PARKER. REFLECTIONS ON THE INTERMEDIAL PICTURESQUE

23:00

LÚCIA NAGIB ON THE PICTURESQUE AND THE VISUAL PLEASURE OF INTERMEDIALITY

34:16

LÚCIA NAGIB TALKS ABOUT 'PASSAGES: TRAVELLING IN AND OUT OF FILM THROUGH BRAZILIAN GEOGRAPHY'