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Michael Heagle @[email protected]

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A lowbrow highball of entertainment from America's Heartland


33:47
UW-Stout Animation Senior Show 2024
02:03:19
Go To Hell -- Behind the Scenes MPLS 1994 Shoot
43:06
Storyboard Pipelines – Live Demo 9/19/23
10:26
The 180-degree Rule in "It Chapter One," "Incredibles," and Indiana Jones
41:03
Art Institutes International MN -- Blockhead Festival 2014
03:40
Doune Castle - Monty Python and the Holy Grail Filming Location 4K
43:46
2023 Animation Reel – UW Stout BFA Animation & Digital Media
01:23
UW-Stout Animation & Dig Media Highlights 20-22
15:51
Series Development Course Week 04 -- Case Study "That 70's Show"
44:33
UW-Stout Spring '22 Entertainment Design / ANIMATION / CINEMA Highlights Reel
15:25
Using Photoshop Timeline & Layers to create Animatics
07:12
VFX: Quick 2D Camera Match-Move with Mocha AE
00:50
Ninja: Invisible Assassins (1985) Super-8 Movie
05:50
Low-Rent CG Animatics Pipeline: From Blender to Storyboarder
19:34
Making an Animatic With Dialog Using the Adobe Suite
00:21
Titanic But Everything is Equally Dramatic
01:45
UW-Stout Animation and Digital Media Reel 2021
05:10
How to Compose for 2.35 / David Fincher "Mank" Appreciation
07:46
What Cuts With What -- A Review
04:11
200 Memories -- "Blind Americans" (1990 HQ)
06:09
200 Memories: "Waiting (For Her Ship to Come In)" Music Video HQ
04:53
"Very Scary" 16mm
08:16
Fans of Style: Designing the Low Budget Sci Fi Film PLANETFALL
03:41
My Name is Still Gianni (PLANETFALL)
06:15
Discovering: Rosemount Ruins
05:08
Napoleon Dynamite: behind the scenes of "Chatting Online with Babes All Day" (2004)
03:19
Common Features in Canvas and Collaborate Ultra
21:21
DES375_SERIESDEV_SUM20_Screenwriting Tips
23:48
Crank up the Drama with Character Wants and Needs / Structure
19:16
Transylvania Television - Breaking Down a Sketch; Joke Writing and Structure 1
16:44
A Three Act Structure for Animated Half Hour Dramatic Television Series
30:10
2.5D Matte Painting & Photoshop's Vanishing Point Filter
50:34
"Invisible" Digital Matte Painting in Adobe Photoshop -- Photographic Realism
35:10
Classic Z-Depth Fake in Adobe Photoshop -- Compositing Tutorial
17:30
Finishing and Exporting the Animatic from Photoshop
01:16:57
Big Retro Video -- Charles Hubbell on Acting for the Indie Film
01:14:32
Big Retro Video: STAR TREK DS9 Writer Mark O'Connell
01:29:29
BRV - Filmmakers Forum: Barry Andersson
01:18:02
Big Retro Video -- Screenwriting Forum 04/07/20
10:56
Animating a "3D" Move on a Comic Book Page in After Effects
00:50
Smuggler's Run POV / WDW 10/19/19
01:28
Creepy Creatures 001
01:27:15
Making of "Test Tickles"
00:05
"Batfink 66" Car Driving Test
03:24
TRUE STORIES (1986) "Shopping is a Feeling" – 1980s Mall Culture
33:48
DES220: InDesign Styles, Page Masters, Table of Contents
06:27
DES220 Gradient Mesh / Adobe Illustrator
39:01
Using After Effects for Camera Movement in the Animatic
45:15
Animatics: From Recording Audio to Premiere and Photoshop
37:42
Animatic Workflow 1: Audio
15:26
Animatic Workflow 2: Audio into Photoshop / Timeline
16:30
DES220 – Illustrator Type on Path, Blend Tool, Masks
34:40
DES220: Starting in Illustrator
18:37
DES220: Many Multiple Men in Photoshop
06:51
DES220: Selecting Elements Based on Color Channels in Photoshop
32:35
DES220: Compositing for "Giant Scale"
00:51
DES220: Fixing Faded Color Photos (Especially Old Kodachrome 50s - 60s)
08:51
DES220 – Skin Retouching using High Frequency Texture Layer in Photoshop
28:02
DES220 – Photo Restoration
25:09
DES220: Smudge Painted / Hand Painted Still Life